The nose has light florals, mostly violet, and aromas of cedar. Black fruits lead, with a light background of red currants. From mid-palate to finish florals shine through. A great balance of acids and fine tannins make a nice food wine. Like many of the 2003 Bordeaux, this seems to
Sweet and fruity is the feel of this wine. Very fruity, with caramelized fruit in aroma and flavors and finish. On the palate, there’s also some unripe plum along with its light woody tannins. Fairly uncomplicated and easy to drink as an aperitif. Serve cool. Recommended with reservations. BSE WHO:
A third-generation winemaker, Piero Incisa della Rocchetta comes from a family that's legendary in Italian winemaking. His grandfather was the creator of Sassicaia, one of the first Bordeaux-style blends in Italy and a wine that inspired many imitators. After time spent at the family wine estates, Piero began his own
The color is very pretty and bright, ruby with a fizz of bubbles. The nose is rose petals and sweet strawberries. This is definitely a sweet sparkler, a fizzy blend of raspberry and strawberry sherbert, with a little rosewater making a floral appearance on the mid-palate. There is a surprising
The months toward the end of winter and beginning of spring are Amarone della Valpolicella time. In this period, in fact, two important events are hosted in Verona, Italy -- two different series of tastings of this renowned Italian red wine. “Amarone in Villa” (“Amarone in the Manor”) is organized
Another lovely offering from the folks at White Rose in Oregon. They offer a wide range of wines from different vineyards. This one opens with a classic pinot nose of smoked cherries and plums. Tannins are soft and fruit is silken as it lingers on the palate after you first
Honeyed aromas, very fruity, with honeyed, peachy flavors, and honey even in the finish. Fruit and citrus overwhelm the crispness you’d expect to find in a wine made from pinot grigio grapes. It’s a nice example of a modern sweet wine, probably a crowd-pleaser, but not really a pinot grigio.
If sommeliers want to win their 30-year war with critics, they must harness the power of validation. Before the rise of Robert Parker, sommeliers had far more power in deciding what wines Americans drank. Many Americans hated and feared them. That's a major reason Parker became so powerful: he freed